We're not riding for Martin - we're playing for Martin!
On February 23, 2012, a group of friends and bands from Lonely Planet are getting together at the Espy hotel in St Kilda to raise money for our colleague Martin Heng's charity, helping fund his amazing rehab program that we all hope will get him walking again after a diabolical bike accident in 2011.
We made up a bunch of collecter's edition posters for the event, which kicks off at 8:30pm, and will only cost you a $10 donation to Step of Hope to get you in.
You can download the poster of your choice in a chunky jpeg here from Flickr.
Dan Moore, versatile musician and singer has played with Slabotomy before, but has struck out on his own with an EP launch imminent in 2012. Former Slabotomy drummer Josh Geoghegan has formed a new band called Dirty Little West which promises monster rhythms if nothing else.
Flip Video is never going to give you a rock event experience- the picture is impossibly grainy, it is hand held and shaky, and the sound is awful - with a bizarre bias to recording the laughter and clinking glasses around you over the 100dB+ of stage generated music.
It is really just to give you a glimpse of the ghost of a concert past, something to excite the synapses of your own memory and fire them off. Or to imagine the possibilities.
Photographs are much better records from this type of event - here you get the artist telling a story, seeing things that others didn't, and enabling anyone to hear those stories (in the ultimate of ironies) with their eyes and imagination, even though it is primarily a story of deafening walls of sound.
Luckily photographs can be deafening to your senses as well.
Share them round!
Update on gig:Speed Orange and Slabotomy raised over $2800 for the Peter Mac Foundation in memory of our friend and colleague Richard Samson. A record 300 people were at the charity gig, filling the John Curtin Bandroom to the brim.
When you live in Melbourne, Winter brings cold mornings, long nights and an infinite amount of AFL football on your TV screen. But it brings good things too - and the annual Winter Charity gig for the Lonely Planet band and friends Speed Orange is a very good thing.
This season our charity is the Peter Mac Cancer Research foundation - in honour of their care for our friend and colleague Richard Samson, a tireless band supporter who lost his battle with cancer early in 2011. There'll be a little bit of Pixies just for him.
We'll also be saying goodbye to some long-time band members who have left the company amidst the move of our website business to London:
Vivek Wagle, Website editor, the former band manager, a lead guitarist, arranger and singer of punk and power-rock alike is heading back the USA with the band member he married Janet B.A small part of Vivek will remain with us in Australia, as he has left his beautiful 1984 BC Rich Mockingbird in mine and Noah's care.
Dave Burnett, singer and guitarist, unequalled fan of the Beatles and all things British in music is seeking new shores in Melbourne to practise his content technology wizardry. His heartfelt version of London Calling when the BBCW bought us is still talked about today.
Songstress Katie Marcar (my favourite was her brilliant job on The Grates 19-20-20) is going to practice her web-mastery somewhere in Melbourne. Her harmonies are going to be missed, but she has whipped up some magic to go out on.
Tony Jackson, lead singer, composer and musician for both Lonely Planet TV and his amazing band Speed Orange will be practising his creative crafts in Australia somewhere - Melbourne hopes to keep him!
Ryan Sweeney, who regularly opened for Slabotomy with his band Roostar will be missed by LP and the Slabotomy crew for his powerful lyrics, great guitar riffs and that harmonica.
Maureen Wheeler, our patron and founder of the original LP band has of course gone beyond the Lonely Planet - we missed the chance to honour her and Tony when they sold their shares, so this gig is for them too. A little something special to toast them is planned (clue: see the gig name).
And of course, I'm taking my Stratocaster and busking for work somewhere in Melbourne too.
Slabotomy, as the outworking of a very creative community of musicians at Lonely Planet, has a special Dr Who quality, in that it has regenerated many times over the last 2 decades, but this is definitely the last show with this lineup.
Expect fireworks. 4 sets from 8pm to midnight.
That amazing poster is the work of David, Bruce, Will and the team at R+R in New Zealand, who have once again given their genius to our cause and made something extra special for the last blast-off gig.
Guitars probably look pretty much alike to the average person. Pointy bit, sticky bit, chunk you strap on and strum. But in the world of the apprentice guitar-nerd, the simple shape, colour and features of every guitar evoke stories, memories, emotions and a thirst for more knowledge. A lot like my other passion for racing bicycles.
A bunch of emotive moments from movies have been coming back to me lately, as the Lonely Planet band have been rehearsing and performing for the summer season. I've been having these "that's just like the scene in ..." deja vu feelings. All of these movies make me want to leave this keyboard this instant and pick up the Strat instead - no other instrument is as evocative for me.
Rules of the list are that it can't be a movie or show that is actually about a real band. Thought I'd get to 10, but stalled at #8. All debate duly welcomed!
1. Wayne's World (1992) - "It will be mine - oh yes - it will be mine"
An iconic moment in this much-loved movie. The best guitar playing is undoubtedly Cassandra's band, but Wayne's attainment of the white Fender Stratocaster (which he refers to as Excalibur) in his local music shop is a triumph.
I have come to realise that as a wannabe guitarist you very much need to have one good "May I help you?" riff in your fingers to have ready when you are sifting through your local guitar store and require some assistance. Stumbling over an open G just is not rock. Wayne of course is the master.
The other two required riffs (just in case you were wondering) are the "I've just turned my amp on" riff at rehearsal (call this your signature chord, ideally timid people will jump when you hit it); and the "sound check riff", a longer arrangement which is the rock equivalent of a dog urinating to mark its patch on stage. Lenny Kravitz serves me well at this time, but I will admit deep jealousy at my Slabotomy friends Vivek and Ian's sound-check virtuosity.
Since this is the internet, I'm duty bound to bootleg the video of the "May I help you" moment:
2. This is Spinal Tap (1984)
Nigel Tufnel is my hero - and in 2011 (11/11/11) it is proposed to hold the first global Nigel Tufnel day. Responsible with a simple slip of the apostrophe for the infamous 18 inch stonehenge, he explains why when I see a Gibson or Epiphone Flying V guitar, a strange voice in my head goes "yeah, I could do that..."
I should probably aspire to a more respectable V-playing hero like Albert King.
Anyway, Spinal Tap as a shocking spoof of everything bad in rock music is actually a wonderful taste of what joy you can experience on stage, with a guitar strapped on and your amp turned to 11. Well, 5 actually, or Ian gets on my case.
3. Back to the Future (1985) - "whatever you do Marty..."
Episode 1 - Marty goes up to Doc Browns laboratory, and finding him not at home proceeds to do what every teenager who has ever watched this movie wants him to do, urges him to do - plug that guitar in, and turn it up. You know exactly what is coming, and it still takes your breath away, crummy 1980s special effects and all.
The guitar is a weird one, you don't really see it much - sort of a futuristic thing you'd expect to be lying around a mad inventor's laboratory. But it's not the guitar, it's the moment - clearly it's Marty's "I am plugged in" rehearsal opening chord.
4. Back to the future (1985) - Johnny B Goode
"Alright guys, this is a blues riff in B, watch me for the changes and try to keep up." Like some kind of incantation, Marty's words haunted me for years - what did that gibberish mean? Sounded very cool though, and seemed to work for the band. A famous Chuck Berry song, Johnny B Goode was not written until 3 years after the scene in the movie was set, which adds some humour to the moment.
I'm pretty sure it is a Gibson ES335 he is playing. So that explains my deep irrational yearnings for one, either in red or BB King black.
With luck the bootlegged video is still available for you to view on Vimeo.
A great scene from a terribly cheesy movie about a kid (a karate kid no less ;-) who drops out from the Julliard music school and goes on the road, ultimately acting out that great old country song The Devil Went down to Georgia in a battle with Satan's own guitarist - who just happens to be Steve Vai. Who is quite probably the right guy for that role.
Ry Cooder played all the guitar for Ralph Macchio in the movie - I won't linger in the guitar pseud's corner for long (because there are plenty of weird looking guys there already) but needless to say the music easily overcomes the plot, and I am always a sucker for a bit of redemption. With a Fender Telecaster you say? With the blues? I'll have an extra helping thankyou. And if I find myself in the same situation at some stage, I'll be looking around for Travis to help me out.
If you have the patience, the final duel scene can be viewed here:
6. The Blues Brothers (1980) - Ray's Music Exchange
I've written about this before, and of course, I own that very guitar in the picture. There is so much great guitar and bass playing in the movie, and yet it is in the background to the two main characters Jake and Elwood. I like the way Mad Guitar Murphy, Steve Cropper and Donald Duck Dunn are away from the limelight but drive this movie all the way home.
Doubtless a trained psychologist would observe that standing in the background being super-competent is akin to my own approach to life, which occasionally I have learned to overcome, ironically recently with the Lonely Planet band.
7. Oh Brother Where art Thou? (2000)
Hmm - the blues again. Guitars again. Wikipedia does a good summary of the circumstances in which a fictional character is crafted from the real bluesman and the legend of Robert Johnson cutting a deal with the devil (seeing a pattern yet anyone?):
"In the 2000 movie O Brother, Where Art Thou? there is a character named Tommy Johnson (played by Chris Thomas King) who sold his soul to the devil to play guitar. He plays accompaniment for the Soggy Bottom Boys (a band consisting of the film's three main protagonists plus Johnson) on "Man of Constant Sorrow".
The character of Tommy Johnson in O Brother, Where Art Thou? is reminiscent of the real Tommy Johnson, who used to talk about how "he sold his soul to the devil" at a crossroads in return for making up songs and playing the guitar. The character plays a number of songs by blues musician Skip James. The character was not based on the better-known bluesman Robert Johnson, as some have speculated."
99% of the music in the movie is bluegrass or country, but a couple of soulful moments are captured when Tommy gets to play his guitar. A solid reminder that the beauty is in the simplicity of life - so few notes, so few words, so much meaning. Another thing for me to aspire to I suspect, as a master of too many words and too many things.
8. School of Rock (2003)
This movie ticks all the boxes - humour, music and good old redemption again. How exactly Jack Black manages to make all those instruments work without alerting the entire school district with the noise is a practical detail I am prepared to ignore.
My favourite scene is where the kids start to jam for the first time - Zach on the Flying V guitar, and Lawrence on keys. I recall the joy of the first time I played an electric guitar, fresh from 18 months ago when Rich Durnall handed over his vintage Strat and said "try this". I have observed the same wondrous look in many people's eyes since - the capacity to make so much noise from just a little strum!
To see Noah actually play in a real-life school of rock right here in Melbourne through 555 Music is a weird bit of life imitating art. And long may life imitate art, I say.
Huge night raising money for Child Aid, a Planet Wheeler foundation supported project working on child literacy in rural areas in Guatemala. Great crowd, great music, and a wonderful event.
Lonely Planet's rock collective Slabotomy followed three great bands - Tony Jackson's Speed Orange; Ryan Sweeney's Roostar; and a trio of bluesmen with Travis Winters at the helm.
Here's the first photos in - shot by renaissance man Jamie Supple. I apologise in advance for curating a sub-set that include far too many of me ;-)
These artfully lit shots are from Mark Broadhead and his magic Nikon.
Every year the LP Band gig at the Espy’s Gershwin Room gets bigger and bigger. In June, we’ll need your help to make this the best event ever.
This time, we are supporting Child Aid in Guatemala – a Planet Wheeler supported project recommended by LP authors Lucas Vidgin and Danny Palmerlee. They give rural Guatemalan children access to books, build community libraries, train teachers, organize literacy programs and get kids back into school.
We are honoured this year to share the stage with some astonishingly talented musicians in the Lonely Planet community:
Speed Orange, fronted by Tony Jackson (also legendary producer of many LPTV soundtracks)
Roostar, fronted by Ryan Sweeney (he played the Espy only this week in fact)
Slabotomy will take the stage around 9pm with two ambitious sets of rock/pop/jazz/fusion. We’re proud to introduce several new musicians alongside the long-timers this time around.
You can also help out by Tweeting and Facebooking an invitation. Or, for the old-school, just tell all your friends! It’s a great cause, and we couldn’t be more excited. Let’s make this a night to remember.
P.S. Thanks to David and Will at R+R Communications in NZ for the awesome poster design
Four years in America on an immigrant worker's H1B Visa gave me a special appreciation that not all our compasses point to the same North on this planet - even though we speak the same language.
England and America - 'two nations separated by a common language' and all that.
Here's a few musings about then and now - mine, and some from people I know, who write like the virtuoso I long to be.
Disclaimer & Stuff
It's important to note that this is my personal blog. I currently work for Luna Tractor based in Melbourne in Australia, who have a website and blog of their own - everything in this blog, absolutely everything in all forms, is my own personal opinion about things I'm interested in - music, bikes, history, travel and suchlike.
If you're looking for stuff on agile beyond IT, software engineering, organisational change and space, head to the Luna Tractor website now.
Jean Hanff Korelitz’s All-Time Favorite Sequels
-
The New York Times best-selling author of “The Sequel” discusses some
standout follow-up novels, including ones by Erica Jong, Chaim Potok, and
Scott Turow.
Musing about filters and brakes: A long post
-
A detour My use of “filters and brakes” was not meant to be clickbait to
entice you here on false premises. This isn’t a post about cars, or
anything to do...
Pack Your Bags, We're Moving!
-
Do you ever find yourself wishing you could drink the same old wine from a
new bottle? Well, guess what? I've got a new blog!
After the Bike Forecast en...
The Blue Room at The Consumer Electronics Show
-
Hi, my name is Richard and I'm a technologist working in the BBC Blue Room.
It's my job to highlight immediate consumer technology trends and game
chang...
Dot Com Memories - Superbowl Adverts
-
When we spent time in San Francisco in 2000 as part of an Antipodean
startup, there was a bizarre moment in the process of obtaining precious
venture capit...